This is the new blog...CONFESSION ZERO
Showing posts with label death. Show all posts
Showing posts with label death. Show all posts

TREMBLING LOAM

Another poem culled from the past (with updated links)...


O spindling reason, close thy soiled and gruesome jaw’s
Surging rationale like a thimble of water to thirst;
We’ve no blood left to drip our cheerless dreams!

Dreadful is our cresting obsession with greed,
Horrible is our pale service to the lords of death
And monstrous our empire’s approaching fury!

The waters flow with the slake of our wickedness
And these vile works speed the thunderous fortunes
Of the sacred beasts come to change what we would not...

O why can’t we see that our indifference to rigid awe
Has the world’s doorways strangled with skeletons
And unearthed the creatures quivering wings?

Like a mother in the shadow of night we can, if we choose,
Erect a grand temple from out of our bosomed courage
And quell this; our trembling loam of mounting death!

TORTURED GARDEN

(metaflower by Ben Heine)


Too ashen! Too hidden!
Like some plodding prayer
Mouthed under sultry breath,
Lobbed skyward beneath
The demoralizing weight of gravity
Reluctant of its dulled and hollowed plea.

The shoddy wilt, the red droop
Of oppressions scope, maudlin loyalty.
Who the hell needs an optimism
Carrying a loaded M21 Horizon,
Or a prayer with the weight of a tank?
“It’s too massive!”, cried the saint.

The gates of life swing wide
For caskets draped in flags!
Who the hell needs this hope
So weighted down with loss?
Prayers with the dead weight of children?
“It’s too distressing!”, cried the angels...

The tortured garden! Insatiable craving
Of the hideous instruments of ruin
Planting young seeds too early
In the loud, bone-dry ground
Cultivating, not life, but odium.
“It’s too thunderous!” cried God.

Too ashen! Too hidden!
Like some plodding prayer
Mouthed under sultry breath,
Lobbed skyward beneath
The demoralizing weight of gravity,
Reluctant of its dulled and hollowed caress.



© 2008 mrp/thepoetryman

THE ENTHUSIASTIC




O disheveled souls sent out to butcher spirits,
Sightless boys placed down in suffering’s arid grasp,
Do not go out unaided in this churning despair
With its tall and fickle beast slung over your shoulder,
Its eyes within you ill equipped at channeling peace.

The blood, reaching high enough, will sting your eyes
And your host will move you in front of dread
Directing you toward a manacled liberty unaware,
Its love set to rip the flesh that holds your frown,
Prepared to gleefully declare that peace is dead.

The beast has its place, I suppose.
War.
Rattling war.
Without end.
What has been done.

The carnage laid siege to the cities
The way monstrous death inhales,
Corpses growing into the soil like freshly sown seeds
With the enthusiasm of young men.

That is the thing that is most troubling.
The eagerness, the unbridled pleasure.
The significance of this
May well be our ruin.



© 2007 mrp/thepoetryman


H/T to The Fanonite for the video "Home of the Brave"

Rolling along "K"...

Karen AK

Karmalised

Katrinacrat Blog

King of Zembla

Kommandos Project



WHY DO WE NOT LIVE



Elton & Pavarotti - Live Like Horses


Why live? Why such appetite if we only aspire to its demise; this odd sphere's protracted pining which hunger itself appears to not have any use for. The insides of a child, the spattered family, the fallen soldier, all lying on the barren street engulfed in livings final drink understand more than this. This odd yearning for what seems to be discarded so readily without remorse or as much as a blink of an eye; the gasp for breath at our birth seems slightly strange given our anorexic affection toward mankind. Our craving for such a quickening demise only to be buried with the presumptive wish of tomorrow’s lustrous hue, is madness! We’ve no more sense than this? Have we prodded enough of our heart’s living that it’s time to explore beyond it into the unknowable?

Yes! Why can’t we live like horses; blast the shackled raven and salvage the senses; break free the walls and live unbridled; our experiment’s incomplete and our living needs know this. Our end needn’t be useless, daunting, or fixated of putting death on parade with such a goddamned elaborate superiority! There is no use in it, no use in this world for such murderous babbling nuisance and uncharitable war and ghastly human famine! Men talk of evil and good as if there were a miniscule speck of a tangible iota of a difference between themselves and those they smirk upon with nose skyward...

Is it any surprise that we should find ourselves here and that from its inception the congregation of man with its splendid philosophy and work and music and laughter and freedom was merely conduit for the advent of living’s death?


© 2007 mrp/thepoetryman



WORDS (A eulogy for my Aunt Dorothy)




My Aunt Dorothy loved words.
She loved to write, read, create, speak and have them.
In the last five or six years Dorothy and I played more games of Scrabble than anyone here could imagine, except perhaps, Tom and Jan, Dorothy’s next door neighbors, who had to have heard us arguing about a word one of us had just played. Dorothy and I were both somewhat amazed that they had never come over to check and see if the argument had ended in fisticuffs. Of course it never did, much to my relief.

Last count we were at about 400 games. That, my friends, is a lot of words. But it wasn’t just about the love of words that she and I shared. It was also the love of coffee. And competition. And companionship. And caring. And her cooking (she loved to cook and I loved eating her cooking.) ...And it was about the laughter and even the tears. Which, when all combined; competition, companionship, caring, cooking, laughter and tears you get a sense of why most of our nearly 400 games took anywhere between three to four hours to complete.

One time when I won two games in a row Dorothy accused me of reading the dictionary before I came up to visit. Of course I never read the dictionary, not like one reads a novel or the newspaper anyway, so I asked, “You mean did I read the entire dictionary before coming here?” and she said, “Of course I mean the entire dictionary! Is there a half-dictionary out that I’m not aware of?”... To which I replied “Are you crazy? Of course I didn’t read the entire dictionary! Just the Q, X and Zs.” And we would laugh. Oh my! How we would laugh.

Dorothy, even before words, above all else, loved to laugh. Hers was infectious; a big, warm and brassy laugh... the kind of laugh that comes from an unbridled joy of living; undeniably full of her special brand of love.

I remember having to pick up the Scrabble board and letter tiles from off of the floor only once. Once due to my playing a triple/triple word score on my next to last play. Next thing I knew words were flying. Figuratively and literally... all over the kitchen. As a matter of fact for a month or so after her tossing the letters everywhere we played our games minus one of the “E” tiles. I told her to make sure to keep an eye on Feister, her dog, when she’d take him out to go to the bathroom. Just in case. We were both convinced that he’d eaten the letter “E”. All Dorothy could say was, “How lucky for you that it wasn’t a Q, X or Z!
Eventually, like most things with Dorothy, the letter was missing because Uncle JC had come in and hidden it from us. She said, “Your uncle may have passed on, but believe you me he’s still playing his little pranks!” Now I think you see why Dorothy and I spent half of our time together arguing, crying, sleeping, eating, and playing Scrabble and the other half laughing. …I am, after all, one of JC’s nephews, right?

She eventually found the letter behind the tv stand. I said, “What? Did JC come in and tell you not to sweep back there?” She laughed, flipped me on the ear, and then we promptly fell into a blistering game of Scrabble with all the tiles while watching The Price is Right….

Aunt Dorothy kept a meticulous score sheet of our games, too. This is the second notebook full of scores. The first notebook is missing; no doubt hidden away by Uncle JC.

Dorothy, like her husband, loved children. I think she realized long ago that they need us most of all. She knew that the children required words spoken with kindness and love. Dorothy may have loved to cook, but she never minced her words. If she thought it, felt it, or imagined it, you can bet your bottom dollar you’d hear it, much to our and the children’s delight. She loved children and she let them know this by her unselfish, unflinching contact with them. Any child that ever spoke with Dorothy surely felt her warmth, whether she was disciplining them, merely conversing with them or pulling their chain they knew they were safe in her presence by her words and grace.

Now Dorothy would say that “grace” is the wrong word to use for her because it doesn’t sound right, or it’s too short and not worth enough points, which is why I wish she and I were playing scrabble right now so maybe I could come up with a word that started with a Q, X or Z that meant “grace”. Yes. If a child had talked with Aunt Dorothy they knew that they had been graced with her unique sense of humor and unwavering love.

We agreed on many things, even politically, but if we got into a debate over it her favorite line was, “You’re just trying to get me riled up so I’ll lose the game!” You see, Dorothy, in my experience, loved words, but hated losing. I think much of it was due to the fact that she despised numbers. Words, in a sentence, she could change the order and come out with something altogether different… except perhaps “Dorothy, you lost that game.”, but numbers…? Well numbers were a problem for her, because, as she put it, “It doesn’t matter how you arrange them they just keep adding up!” She often said things that reminded me of Yogi Berra. But it was her loathing of numbers that was just another reason that Aunt Dorothy seemed ageless; she’d rather subtract than add, rather celebrate anything before being reminded that it’s her birthday.

--Regret… There’s a word for you… probably not worth much in Scrabble, but I can tell you, because I know if for a fact, that Aunt Dorothy lived without regret. So, today, I say let us celebrate Dorothy’s memory as one without regret, neither ours, nor hers.

After all, Regret is nothing if not a heavy rain waiting on a storm cloud.
Regret is nothing if not a beautiful hat waiting on the wind.
Regret is nothing if not a face waiting on a mirror.
Regret is nothing if not a kind word that stays inside the mouth.
So let us not regret, instead let us celebrate all of the selfless laughter and joy and kindness and beauty that we shared because of this incredible woman.

--The artist, poet and philosopher Kahlil Gibran finally reminds us that,
our joy is our sorrow unmasked. And the selfsame well from which our laughter rises is oftentimes filled with our tears. The deeper that sorrow carves into our being, the more joy we can contain. When we leave here today and onward, as Dorothy would surely have wanted, let us know that when we are joyous, to look deep into our hearts and find it is only that which has given us sorrow that is giving us joy. And when we are sorrowful let us look again into our hearts, and we shall see that in truth we are weeping for that which has been our delight. …Aunt Dorothy Schell.


© 2007 mrp/thepoetryman



DEATH NO MORE

(MICHAEL HOGUE/DMN)

Ernest Ray Willis set a fire that killed two women in Pecos County. So said Texas prosecutors who obtained a conviction in 1987 and sent Mr. Willis to death row. But it wasn't true.
Seventeen years later, a federal judge overturned the conviction, finding that prosecutors had drugged Mr. Willis with powerful anti-psychotic medication during his trial and then used his glazed appearance to characterize him as "cold-hearted." They also suppressed evidence and introduced neither physical proof nor eyewitnesses in the trial – and his court-appointed lawyers mounted a lousy defense. Besides, another death-row inmate confessed to the killings. (
More...)

DEATH NO MORE

What do we want;
War and torture,
Atom bombs piercing remembrance
Exhuming the blue skies and rain?
To ogle the writhing shudder of innocence,
Flames to swallow up the green plain and sand
Where art once journeyed the sovereign distance
Now yearning to bunker down in eternal rest?

Where is our serene silhouette?
Our loving?



© 2007 mrp/thepoetryman

AT THE PLEASURE OF THE PRESIDENT



It is easy enough to kill a mouse
Even to wound or maim or squish;
Crush with a shoe. I have seen it done. I have seen this,

The outcome; petite legs broadened,
Turned awkwardly outward

Like some unsuspecting possum on the road,
Like a newly wet canvas of an enraged serial killer,

And how afterward the sole of the shoe seems different,
As if invincible, carrying now the influence of death.

Yes. It is easy enough to kill a mouse,
Even to wound or maim or squish,
Crush with a shoe. I have seen it done. I have seen this.

It is not, I suppose, like crushing a child.
It is not, I suppose, like flattening the human frame,

Unless you’re a monster marching through the village
Stomping the least of the insignificant clutching at giants.



© 2007 mrp/thepoetryman

THREE THOUSAND MARCHING

READ THE POEM +/-




The marching numbers are a tomb of shattered years
and on the sand and marsh they hunt soldiers down and cut
them and mangle them where they stand. One. Two. Three.
They wait and wait, and rapidly they pounce, opening fire,
closing doors, swinging death to and fro! And the laughter…
The laughter of marching numbers calls out for the next
and the next and the next and the next and the laughter
so politicians can sleep amid the screech of striding tombs,
so the subsequent-crazy-sonofabitch can cackle liberty
or some such malarkey. Fourteen. Eighty. One hundred!

What of the fallen, the voiceless, the bludgeoned, the duped,
if only they could now see the numbers amusement they’d be so
goddamned envious, wouldn’t they? Goddamned green with it!
Bulletproof vests are for the living! Three hundred. Four hundred.
Armored hummers are for the red cheeked fortunate and breathing.
One thousand thirty four. The dancing. They wait and wait and wait.
Rapidly they pounce! Sniper, IED, RPG, swinging death to and fro…
And the laughter! My God! The laughter! Two thousand forty-seven
so some crazy-lazy-sonofabitch can curl up next to his pale existence,
slither up against his black liquefied imaginings and self-abhorrence.

There must be more time, more hope, more love, not more numbers, right?
They march as we turn our twisted faces away and peace is murdered;
Shot through the goddamned mouth while bloody calling out for help!
Tortured while we wait for God to blow the whistle or throw in the towel.
Shrieking peace against two-thousand and six obedient numbers waiting,
waiting, waiting for the rapid pounce of tombs to stuff them under.
And the goddamned laughter! That motherfucker won’t stop laughing!
Jesus Christ! Three thousand slain only amuses this cockeyed Caesar!
The numbers continue to march by on their way to the sullied gallows
So some slothful-no-good-sonofabitch can snuggle up against tyranny…
And the laughter... O! The Goddamned laughter!



Copyright © 2007 mrp / thepoetryman


3,000th U.S. soldier killed in Iraq

16,273 Deaths Reported in Iraq in 2006

U.S. Toll In Iraq Reaches 3,000

Updated Military Fatalities: By Time Period




PREVIOUS POST - Esther Sparks (Peace)

CONVENTIONAL WISDOM

READ THE POEM +/-
(Lost Face by Ben heine - Cartoons)

KURTZ: The conventional wisdom is that American troops resent the media's coverage of this war as too negative. But there's a Zogby poll of U.S. forces that say 72 percent think they should leave within the year. What did you find, when you were in Iraq, military people saying about the mission and the media?..

KURTZ: …And did they think the coverage, generally, on balance, was fair or unfair?

ROBERTS: They didn't seem to have too many complaints about the coverage. They appreciated the fact that we were there and anytime you're embedded with U.S. forces, you're going to see the bad along with the good. They were always trying to put a positive spin on things, from a command level — taking us to certain areas to show us certain things they thought would play well. But by and large, I didn't hear any complaints
about the coverage.

~

The claws of the monster
Thrust into all certainty,
Pushing existence down,
It ogles innocent eyes
And honest hearts
Eager to shatter their spirit.

O! Conventional wisdom!
Why must you shirk the truth
In rousing madness from its cave?
She’s as an inferno, is Iraq,
Burning in a distorted world
No one will need her when we’ve finished!

(O! Madness! We’ll not know where you have gone!)


Soon after you’ve creased her dreams
And she sees what the lens didn’t show
You’re treachery will shudder
Giving you cause to slither away and lie dormant.

Silent awhile, you'll soon crawl up again
And blast into our breathing homes...
Only this time, we’ll know.


Copyright © 2006 mrp / thepoetryman


C&L’s Chaos in Iraq

THE GLORY MEADOW

READ THE POEM +/-
A glory is an optical phenomenon produced by light backscattered (a combination of diffraction, reflection and refraction) towards its source by a cloud of a uniformly-sized water droplets.




Hatred by Ben heine - Cartoons



THE GLORY MEADOW

The warrior tilted her face
In the groan of fine bravery;
A ferocious battle well fought
Leaving such empty pleasure.

There were no such dignities.
Rain slanted its gleaming lances
Upon the backscattered skies
In refractions glory meadow.

Reflecting upon the dulled luster
The warrior’s fingers grew damp
And, in apprehensive assembling,
Did discharge her bludgeoning.

O! Divine glory! Phenomenon!
Transport their gaze to wonder’s face!
Call out to them! Reaffirm “peace”!
Shift them nearer to beauty's grace!

Upon the backscattered sky we lean.
Of the bludgeoned warrior we howl.
Upon the divinity we beseech,
“Bring their spirits home!”





Copyright © 2006 mrp / thepoetryman


Inspired by Quasar9 !


US Soldier Kills Herself After Objections Were Ignored

TAP-TAP-TAPESTRY or MISE EN ABYME

READ THE POEM +/-


(mise en abyme by Ben Heine - Cartoons)

Prosperity is like a sewing needle. The same point that draws the thread through the fabric strengthening it can pick the stitch apart, thus weakening it. The prosperity of the masses strengthens the social fabric; the prosperity of the few weakens it and makes it more receptive to manipulation.

If beads of sweat fall on barren soil, then the link between effort and reward is broken, and the masses turn for reassurance to your puerile vision of strength through childish swaggering. Scores of John Wayne movies have convinced them that the drawl of a simpleton is a sign of leadership. (
More...)



TAP-TAP-TAPESTRY


The needle enters the thin skin
In its tap-tap-tapestry of stitch,
And we, the patient, wince.
Flinch at every drawn thread,
Recoil from the truths pinch
Tap-tap-tapping out infantile dread.

The eye, pulling our fiber through-
It’s a horrified thing, this heave,
This hard and cold exactitude,
It takes bravery to finish it…

Closing up the wide open wound
Laying flat upon our dim streets
Where loss flaunts his maddened
Feet, tap-tap-tapping out his beat,
Awash in blood, he smiles and grins
Wrapping his cackle `round our sins
As foolish love weeps for the fallen.
Howls!

The needle hasn’t love or weeping.

Tap tap tap…




Copyright © 2006 mrp / thepoetryman

Mise en abyme has several meanings in the realms of creative arts and literary theory. The term is originally from the French and means, "placing into infinity" or "placing into the abyss".
In
Western art "mise en abyme" is a formal technique in which an image contains a smaller copy of itself, the sequence appearing to recur infinitely. The term originated in heraldry, describing a coat of arms which appears as a small shield in the center of a larger one. See Droste effect.
In
film, the meaning of "mise en abyme" is similar to the artistic definition but also includes the idea of a "dream within a dream". For example, a character awakens from a dream and later discovers that they are still dreaming. Activities which are similar to dreaming, such as unconsciousness and virtual reality, are also described as "mise en abyme". This is seen in the film eXistenZ where the two protagonists never truly know whether they are out of the game or not.
In
literary criticism, "mise en abyme" is a type of frame story, in which the main narrative can be used to sum up or encapsulate some aspect of the framing story. The term is used in deconstruction and deconstructive literary criticism as a paradigm of the intertextual nature of language, the way language never quite reaches the foundation of reality because it refers in a frame-in-frame way to other language, which refers to other language, etc.




PEACE BY NUMBERS

READ THE POEM +/-



It needn’t conquer the world
to breathe in us,
wept the paint.

It needn’t strike the stiff and crafty strum
of a tyrant’s impatience,
mourned the brush.

It must turn its very foundation; humanity,
to free its fettered soul,
wailed the easel.

It first must conquer the self to invent an escape

above war’s red casualty,
moaned the canvas.

Peace will never be created through war's shrapnel
upon the scorching sand,

shrieked the art!


No more war...
No more war...
No more war...
No more war...
No more war...
No more war...





Copyright © 2006 mrp / thepoetryman

U.S. Department of Peace

GOD…ARE YOU LISTENING?



"I am convinced now, that the lives of Congolese people no longer mean anything to anybody. Not to those who kill us like flies, our brothers who help kill us or those you call the international community. Even God does not listen to our prayers any more and abandons us."
Salvatore Bulamuzi, a member of the Lendu community whose parents, two wives and five children were all killed in recent attacks on the town of Bunia, north-eastern DRC. - from an Amnesty International 2003
report.



We are asking, calling across the freshly turning earth,
The beautiful and loving people of the Congo beseeching,
Begging for your hand to curb the horror eating the flesh
Whose bleached bones have fallen of their bone-dry perch.
Where night swallows the meek the day lines them up,
And orders them to stand together in aching hordes.
Dark masses of thy souls lined upon the African shores
Waiting your word, thy cleaving spirit upon their aggressor.

With hemorrhaging lips they beseech thy worship! Heed them!
The children, the innocent die so young beneath your eyes,
Congolese refugees bestride the pained land of red forest,
And are drowned in the massive torrent of the eternal cries,
Trampled in a gloomy stampede of thy children’s rage!

We beseech you to hold back this; thy monstrous discharge,
Thy blood thirsty apathy and intolerant savagery; death!
"In all this misery, you can buy a poor man with a piece of soap."
Despotic oceans abound, why should thy children suffer them?
The stampede of death, twelve-hundred per moon lifted away,
Swept into the chasm of thy brood’s fury gushing forth of breath
Gnawing the flesh of innocents, discharging their essence at will.
Cease this madness, we beseech thee; call off the folly of death!
Slip your command of rage; clothe them in love’s shining armor.
Thy power requested, put your hand to it and ply thy sacred stroke.
The children, your design are calling thy name. Do you not hear?
Where night swallows the meek, the day lines them up. No more,
Finish this; thy collection of death, thy wrathful scope of war!


Copyright © 2006 mrp


Thanks to Renegade Eye



SNEERING, BRISTLING MOUTHS



Only a society that has ceased to value that reasonable context of discussion (in other words, only a society that no longer really cares about itself) could enthusiastically make significant room for someone like Coulter, who rakes in profits by making up lies and "entertaining" people by demanding the deaths of those she hates. And American society today makes room not only for her, but also for an entire right-wing movement for which “eliminationist” rhetoric has become the norm. This is a society that no longer trusts itself, that is incapable of seeing its citizens as citizens and therefore as worthy of respect.



O! Mouths that bridle the sneering air,
Minds horrible of this;
Irrational expressions,
Flabbergasted lies,
Damnable discourse!
You are loud as limbs,
Shrill as death,
Evil as murder!

You are eradication’s soldiers
Armed in deceit,
Fortified in hateful corruption,
And wrapped in dogmatic shrapnel!

O! Minds entertained by your thrusts
Have been put to sleep by the noise,
By the incessant rumbles,
Entertaining droll mugs,
Telling us,
“Life’s a gas!”
“All is well!”
“Relax!”

Your mouths bristle the sneering air,
Jaws made despicable by your howling
Toward corruption’s wanton bride,
You're planting your seeds intolerably deep,
Scratching the bowels of hell,
And dipping our roots in death’s slag,
You scoundrel-dogs,
You witches misery!

O! You scraggly saw-toothed snipers
Mustn’t be given America’s credence!
You must be challenged forthrightly
And not given reign of our trust.
Truth must reel your despotic cretin
To the draggled bottom of anguish,
Leaving you to choke on your venomous,
Empty expressions!


Copyright © 2006 mrp / thepoetryman


MANIACAL MELODY



O! Love at first sight in bleak day.
You’ve life’s gallant sun.
The arid tempest swoons;
Love. Hope. Joy. Doubt. Lust. Slaughter.
Blood’s staining authority.
The silver gorge croons to her,
Breathing deep, conjuring worship;
The grubby toothed grin of casualty.

“My love, may I have this dance?”
“Tis my honor most valiant knight!”
“Take my hand, my dear, and we shall.”
“Yes, my love.”

O! Life’s embittered perfection,
Love’s wish filled stain,
Let go this; your dreadful date
And curl your arms `round eternity
Heeding the smothered breath of thy god;
Hatred. Contempt. Red. White. Blue.
Blood’s staining authority;
The solvent spirit’s bloody weight!

Far Left

HOLY RAMPAGE



George,
The wolves await
Licking obscurity
Awaiting you
To inch `neath
Your bridge
Your rock
Awaiting upon
Your neck-bent descent
And the full moon
As they might nosh
Upon the rodents
That
worship you there.

Trolls!
Sing loud your praises!
Let God hear it!
For
God's sake do!
Step into the moon!
It's light awaits you!
Bring your second coming
warble!
Bring it out for all to hear!
Sing! Stomp! And shout! Again!
"War rocks! God rocks! Death reigns!”

“Death! Death! Death!" be your
refrain!

Join them, Mr.
President!
Join them!
Join them in thou holy anthem!
Rejoice in your own death!
Rejoice!


mrp


PLEASANTRY



George,
The world's had enough of you.
The time is ripe for your dismissal.
The moon is set,
The tides are right,
You are about to end.
The time is now,
The place is here

I need a nightcap of your blood.
Lean your neck toward my words
And I will slice your jugular with verse!
Shred your damp soul with jibes!
Lance your heart with prose!
And deliver the fatal blow
With the simple
Unadulterated truth!
Lean forward
And you shall know.




INWARD

Days move downward
waiting
Nights move inward
lingering
Death creeps in
clothed as truth
waiting to lie
Hope meanders through
masquerading as children
sent off to die
Nights move inward
waiting

mrp




A CHILDREN'S DEATH

What softness lends to baby’s feet,
Movement in life’s yielding lips,
In petite and gentle fingers,
Blue bird suppleness,
Noiseless radiance.

Stop.

And open your eyes.
Tender turns of the head,
Small smile under red cheeks,
Soft hair waving down,
Engaging wonderment.

Stop.

And open your eyes.
Arid guns at the steady aim.
Rifles do not grapple with verdicts.
Who is guilty?
Aren’t we all?

Stop.

And open your eyes.
Infection of oppressive thought,
But the law cowers not in fear;
It is man that has wrought
the undoing of truth and breath.

Stop.

And open your eyes.
Perhaps the child of ideas
or the youth of convention
might answer my query;
Will dying take wing?
Will our dead child be familiar?
Will the wet breath of malevolence
toss water upon our infertile tree?
Will the soul of our nation kill her child?

Stop.

And open your eyes.
Will the children of this world
give rhythm to the drums of war?
Will the baby’s supple feet
move to the beat of tawdry battle?
Will war leave tasteless, life’s yielding lips?
Might, instead, the petite and gentle fingers
make a music of warless magnificence?



mrp

Woman On Trial For Killing Her 8 Children

PATRONIZE THIS!


I am as sorry for our loss on nine-eleven as the next idiot, but I hate being patronized to with absurd reminders, "3000 lives" and "biggest terrorist attack on US soil" and "they hate us for our freedom" and "we haven't been attacked again thanks to Bush"!

I want to scream!

It really irks me to hear such idiocy!
Then to top it off with the inane conclusion, "We fight them over there so we don't have to fight them here" is complete insanity! Comparably they should just say, "We ship our jobs over there so you won't have to work over here!"

I want to scream!

The "Over there instead of here" philosophy boils down to the
exportation of death and destruction!

I want to scream!

Why the hell did we overthrow a
regime that had nothing to do with 9/11!

I want to scream!

The people that will constantly remind us of tragedy and stoke our fear of terrorism (Bush, et al) are to be regarded as dangerous to
liberty...

What do you want to do?


mrp

911 Relatives Quotes

They Hate Us?

Bring Them Home!

Reality of Shipping Jobs Overseas

Exporting Death

Saddam's Regime

Famed Liberty Essay

AT LAST!




George! Yes! Yes! Yes!
You've dredged down from the top
Lies!
You've amassed disapproval around
The globe!
Yes! Oh! Yes! You have done it at last
(Again)!
Strangled out freedom and shambled
Lives!
Toward brink of that sightless abyss
Hell!
Drink up! Job well done! And hooray!
Death wins!



mrp

LETTER TO GEORGE

Targeting Hamas PM

Indian temple city hit by blasts


Europe's angry Muslims

Top US official denies 'torture'


India's PM defends nuclear deal




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